Learning Experiences By Holly the Assistant One of the young men in the family (pursuing hard science degree on the cheap, living at home) had the experience for the first time in his life of calling for a tow. Iâm kind of amazed, given what he drives, that he hasnât had to previously: mostly probably based on being cheap and sharing rides, someone else called the last several times. (The old beater decided that oil was better on the outside of the engine than inside. This is widely acknowledged as contrary to continued operation.) Things you donât know how to do til you do it. We raised our kids pretty country. They all learned to shoot a gun, butcher small livestock and/or game, fish, cook, clean, garden . . . itâs how both of us grew up, on opposite sides of the world. A lot of people havenât had the opportunity to have those experiences, to learn those skills, even poorly. We could have a long discussion about what people should know how to do: Robert A. Heinlein put in Lazarus Longâs mouth the words âA human being should be able to change a diaper, plan an invasion, butcher a hog, conn a ship, design a building, write a sonnet, balance accounts, build a wall, set a bone, comfort the dying, take orders, give orders, cooperate, act alone, solve equations, analyze a new problem, pitch manure, program a computer, cook a tasty meal, fight efficiently, die gallantly. Specialization is for i.â I suspect most of us are missing at least one off that list due to old injuries if nothing else. But the bigger thing is that people donât have a chance to try, and we live in a society that says âleave it to the expertsâ for most of those things, and makes it cheaper to have it done by someone else than to do it yourself. And for children, well, if youâre in class for seven to eight hours a day, followed by extracurriculars, no matter how good those extracurriculars are, youâre not going to have time to learn to do very many things. Especially if they are things that have a long lead timeâyou probably arenât going to go down to the market and buy a live cockerel and take it home to butcher, at least, not in most of the USA today. Youâve got to buy a chick at the feed store and raise it for several months first. Which you do learn a good deal more from doing, but youâve got to have the several months. Also most urban areas, I hear, frown on slaughtering in your front yard. This is why we keep getting young folks who very much know things that just ainât so. They know what they know from what they saw or heard, not from what they did, and they never were exposed to the actual things theyâre hearing about or seeing at a nice, sterile, electronics mediated remove. For us adults, thereâs also not enough time in the day to do all the things. We might take a first aid class now and then, but we donât practice the skills regularly. We might in theory know how to change oil but not have done it in the last four decades. Itâs been a hot minute since I last messed with a spark plug, and Iâd really rather pay someone to do that than try to figure out how the heck to get at them (I learned on a â69 Chevy SUV, ok? It had a lot less stuff in the engine compartment). The sum total of human knowledge is too great for one person to be able to even do it all as an amateur. If you tried, youâd never specialize enough in anything to make a living at it. Let me encourage you to dust off an old skill or acquire a new one, though. Itâs good for the brain, really, ask the neuroscientists, they get all enthusiastic. Several of my cello students took up music for exactly that reason. Maybe Iâll break out my spindle: I put it away when the first little someone figured out how to crawl and get into the wool, quite a while ago. Itâs a nice, warm, indoors wintry sort of skill, and once upon a time I could even make even yarn. At this late date Iâll be starting over from vague memories and books. (Yes, I know there are you-tubes, no, my brain doesnât work that way.) What will you do? Maybe donât make it running a beater with the oil outside the engine, though? This one might get a touch pricey: weâll find out next week if he pulled over fast enough or if weâre up for the learning experience of putting some other old beaterâs engine into this old beater. It has been done before. https://accordingtohoyt.com/2026/10/30/learning-experiences/ https://1.gravatar.com/avatar/7f4ac1013fde144f84c7b0052ec0dfb2b56ec4ea745949a02e64671efda78526?s=96&d=monsterid&r=PG #experiences #things #long #lazaruslong #rss #feeds #linksharing #qwibbit
Stuck In The Middle With You Lately thereâs been a lot of talk about how weâre all âso dividedâ and we need to be in the center, and how Americaâs true political orientation is independent and howâ BROTHER! This was brought home â this was brought OFFICE â to me while I was at work two days ago, and Dan was listening to Joe Rogan. He often listens to podcasts while heâs working, because his work is numbers, so hearing words doesnât disturb him. My work, unless Iâm working on covers, wellâŚ. So normally I slap noise cancelling headphones on. The headphones were out of charge, so covers it was, but after a while he told me he couldnât listen because I kept arguing. Look, Joe Rogan, normally, doesnât disturb me that much. Iâll snort giggle at some of his stuff, but it rolls over me, and doesnât take a bite⌠But this⌠He was with Joe Manchin at some âindependentâ conference, and just about everything he said was distilled stupid. And everything Manchin said was self-serving pretending-to-be-stupid. And I was fit to be tied. Now, I donât do media critique, and Rogan is Rogan, or as someone put it a barbarian who evolved yesterday and came in search of fire and legends of other people. (Honestly, thatâs half of his schtick.) BUT this slotted into all the talk about how âweâre so dividedâ and âThe biggest political affiliation is independent.â Letâs dispose of that last one first: bullshit. People register as independent because the left are foaming-at-the-mouth rabid weasels who will cancel anyone they even SUSPECT of being on the other side. I was registered independent all the years that I was working for trad pub, because being found to be âone of those evil people on the rightâ would end my career, and baby needed shoes (and eventually college textbooks.) There are other reasons, but usually the strongest is âIâm on the right and I donât want to be cancelled.â Very few independents are actually independent. Right now my husband is independent because he didnât want to say GOP to the blue haired young lady registering him. (I OTOH did, and she said, âOh, thank heavens. I wasnât sure, coming from Colorado.â Which goes to show you.) At any rate, is that everyone? Doubt it. You can be very embarrassed of associating with either party, without being a centrist or independent. Sometimes itâs all about which party you hate more when you vote, but you donât want to say âIâm with themâ because theyâre a bunch of bozos, and you know it. Second, even if âindependentâ were the biggest self-identification group, it doesnât mean thereâs a great hunger for the center or for reconciliation. Perhaps all the independents are people who want something else. Say, a true constitutionalist government, which, alas, isnât on offer. Itâs as likely as that theyâre all âcentristâ or that these âcentristsâ all agree on the same thing. What made the program infuriating and brought out my political tourettes is that all the solutions they âofferedâ were bullshit that has been tried, a lot of which is responsible for turning California into a one-party rule, such as open primaries and first-past-the-post elections. Seriously. I could dissect the mechanism by which this âdelivers us bound to our foesâ but I donât need to. Look over at California. Do you want that? No? Your ideas will get that. To pretend that this has never been tried is either dumb or malicious. On the dumb side, Rogan was doing his caveman impression âTell me about these things I never heard of!â But Manchin? Manchin is malicious. Why do I say that? Well, he pretended not to know why we stopped using coal for electricity generation. Itâs apparently a deep mystery and not the green obsession of presidents he supported, like Obama. Bah. Yeah, he kind of distanced himself from the Democrats in the later Biden years, but not wanting to trans kids doesnât make you a centrist. It makes you a moderately sane, non kinky human being, for crying in bed. Then there is âterm limitsâ. Term limits, in the year of our Lord 2026 when we know how deep and how evil the evil deep state is! For the love of little children and the apples they steal! No, seriously. Sure, letâs have an ever-rotating wheel of incumbents who donât know what theyâre doing so the deep state can march on unimpeded. Heck, the only reason we have presidential term limits is that evil bastard FDR whom Joe Manchin still adores. And then came the, of course, Joe Manchin would like to be president. When Rogan asked about that, I could taste the hunger for power in the creatureâs voice. (Waves arms.) GAH. I guess I hadnât got that out of my system yet. Do I like the two party system? Well. Iâm not in love with it. On the other hand I experienced the âas many parties as want to beâ system in Portugal and this is the problem: Honest human beings will divide into parties on the slightest excuse: âI am from the party of free economy, marry whoever you want provided he/she is an adult, but no welfare.â âI am from the party of free economy, marry whoever you want provided he/she/them are adults, but no welfare.â âI am from the party of free economy, marry whoever you want provided he/she/them are adults, welfare for widows and orphans.â âI am from the party of free economy, marry whoever you want provided he/she/them are adults, welfare for widows and orphans provided theyâre legal residents.â Etc. etc. You end up with fifty parties where the disagreement between them is very small. But you know who doesnât divide that way? Socialists. Communists. I mean usually they divide from each other, though honestly, as with penguins, only they know the difference. (And no, itâs not the same as the theoretical difference. Crying out loud, I studied this in school. I know the text book definitions. BUT in practicality the only difference is the socialists going âI want that too, but slower so we donât scare the rubes.â No? Well, ask yourself what the USSR stood for tovarish.) So in the end, the left wins. Because theyâre not as worried about carefully defining anything, and they LIKE to march lockstep. (Also in their minds, when they win, itâs the other guys in the mass graves. Spoiler: itâs always them in the mass graves.) Meanwhile the two party system has the drawback that any change â real change â is slow. Very slow. Because you have to take over one of the existing parties from within. This can be bad â weâre taking forever â but also, what? You want the DSA to take over the dems FASTER? So do I like the two party system? As opposed to what? If the choice is cake or death, Iâll take cake, thank you, with chocolate sprinkles. But the choice is never between cake and death. It is at best between syphilis and gonorrhea, and you pick the one for which you have antibiotics handy. And this is ultimately the issue. âIndependentâ isnât a political movement because people who are âindependentâ are not a group. they donât all agree on what they believe. They mostly arenât sure which side will make them hold their nose LESS or, hear me out, they are on the right and afraid to declare it. And donât underestimate the second group. For years, itâs been known if a public personality doesnât ever mention politics? Theyâre on the right. Because only one side actually tries to punish your dissent. (Now this is known, so not speaking brings about retaliation, too. Weâre almost a publish and be damned oâclock. Iâm just glad Iâm out of it.) Second, âWeâre all so divided.â Yes. As opposed to? No seriously, think about it. Weâve always been divided. Itâs just that while we were bound by mass media, which the left utterly controlled, people didnât know that there were more dissidents from what appeared to be the only widespread opinion. Even my priest at mass was lamenting, you canât be in a hobby group without the hobby being political. Oh, yeah? And who made it so? I donât mean the poor man, who is very young and seems to be unexamined college-left. I mean, the left has insisted that everything be political since I joined adult society, lo, over 40 years ago. THE ONLY DIFFERENCE NOW IS THAT WEâRE FIGHTING BACK. I want to do this skit where people are having dinner while using other people as furniture, and itâs this idealized family dinner, and quiet and everyone is smiling. And then someone frees the âfurnitureâ and a brawl breaks out and the former diners are going âStop, stop. everything was so peaceful! How did this happen?â Itâs like âeconomicâ (or any other kind) inequality. Itâs not actually evil, unless it persists for centuries WITH THE SAME PEOPLE AT THE TOP AND BOTTOM. In which case the society is in deep trouble, as it is in much of Latin America. BUT not in as much trouble as societies in which almost everyone is equal, because the only way to do that is totalitarian, rigid control over people and the economy. âPolitics are so divisiveâ is nonsense. People donât form political parties or join the political process to work on the things we all agree on. âWe should wear hats on our heads, not on our left footâ is not a political position because most people agree with that, and the ones that donât are locked up for their own good. (They keep slipping on that hat.) Politics are supposed to be divisive. And a good brawl is how you know youâre still free. And Iâm tired of the soft heads that pretend otherwise. Letâs hope we can continue to fight back and stay free. ⌠keep your clothes and weapons where you can find them in the dark. https://accordingtohoyt.com/2026/10/29/stuck-in-the-middle-with-you/ https://2.gravatar.com/avatar/bb227ba08e92f5082a6a9044a75eb6333d01169f18d0f8cb7cff7ccb1a1c8b9f?s=96&d=monsterid&r=PG #joerogan #joemanchin #rss #feeds #linksharing #qwibbit
Uncharted Wilderness (A Blast from the Past: https://accordingtohoyt.com/2024/11/15/uncharted-wilderness/ Note from Holly: this post is just shy of two years old now. I was looking for old posts on Art, in keeping with the theme of the week as itâs turned out so far, and the search popped this up, and well . . . it seems like a good reminder? Not sure what it has to do with Art, but search serendipity shouldnât be ignored.) Most of the time we look at a landscape, particularly if we live in it, and we know exactly where the road or the walking path is. We know that if we set off from here, weâll walk that way, and⌠And then thereâs snow storms in Colorado, where I lived most of my adult life. Colorado is not, as most people who know it only from TV think, a place where it snows early in Fall, and it stays covered up till next Spring. Thatâs more a thing of Ohio or Pennsylvania. I mean, there are places in Colorado â the high ranges â where itâs definitely like that, but thatâs not most of it. Most of it, you have sun and snow, and days that are completely dry, and then days you are buried. There is no guarantee what type of day youâll have. Some days youâll wake up to a beautiful sunny day, then find yourself buried in snow by nightfall. Once in Manitou Springs, it was sunny in front of our house, and snowing in the back. And then there were the sudden snowstorms that covered everything. Once or twice they caught us on the road, and even WHERE the road was became a matter of opinion. Obvious (and dangerous) if one side goes down a deep ravine, but the other side? Yeah, youâre on your own. Itâs uncharted flat white. We find ourselves kind of like that in our current political landscape. You see, there has been a storm, a bad one, and it flattened everything. But in its wake, we are left in a changed landscape, where the usual sign posts donât apply â except for the ravines, of course. Those are still there and hellofdangerous. I probably donât need to elaborate for this audience, but the storm was the stolen election, and its threat that weâd never again be free to choose our path, that â from now on â we were in the hands of the international oligarchs, and that at most we could carve our tiny little paces of semi-freedom, but weâd never be a free PEOPLE â or by extension, a free species (most of the species is. The West even is iffy. The US remains the last, best hope of mankind) â again. Yes, I know, I expected differently. Because like with the Diamond Princess and the Covidiocy, I did the math. They canât win. itâs impossible. But even I expected a long period of darkness, or a blood bath in the way to our being free again. I prayed otherwise, butâŚ. Well, on election day we got our miracle, a culmination of at least two previous miracles. And here we are. And everything has changed. The problem is that the if you really look at it, the storm has been a succession of storms, starting about 100 years ago. And throughout it, it looked like there would be only one road, and only one way to move, and it would all end up in a prolonged darkness, which the sun of freedom might never penetrate. But these things are never as they look, and beneath the snow cover, things were moving and the landscape was changing. To be precise, the industry was changing, from one where large and central had all the benefits of being more economic and more profitable, to one where â not fully yet, but we can see it from here â distributed everything, and largely automated factories with minimal human labor are the future. And what a future it is. The same tech allows distributed communication, and it allows information to travel from those who have it to those who need it in almost no time. (Seriously. I once fixed my vaccum in no time by looking at a few you tube videos. You can also learn just about anything from those. From practical skills to languages, to history, toâ). Even though thereâs some resistance (including from Musk, sigh. Itâs his reflexive liberal. Itâs not fair to work from home, since not everyone can. Poppycock.) obviously distributed, from home, from your small town, a bit from everywhere working (and living) is the future. And it is a future that also allows women to work/pursue an avocation while looking after their own kids. This is leading to revolutions in teaching and in⌠well, just about everything else. The world simply isnât the same as when civilization started getting frosted over, and we assumed the future was the world of 1984 or Brave New World, and the most we could do was delay it a bit. Paradoxically while that world seemed to be driving to a super state across the world (which FYI is inevitable tyranny) the fact we can communicate effortlessly across borders and across the world, perhaps by making us aware of cultural differences is fueling a drive towards nationalism. Which, contrary to what youâve been taught in school is not fueling a drive for war, or Hitler like racial purges or whatever the crazy. WWI was caused by INTERNATIONALISM, i.e. by the royal families of Europe getting ambitious and trying to establish multi-continental empires. Being governed small and closer to home is always better for freedom. If those in power know you can come to their house and isekai protest them (like truck con protest them) they tend to behave a bit better. (Or, put up barricades if theyâre Jarred Polis, whose conscience must be the deepest dark dingiest hell on Earth.) Anyway, in this new world, a few things become not clear. Like, sure, RFK is still a commie (well, his dad was one TBF) but is he a bad person to be in charge of the FDA? Consider what the FDA is and what itâs been up to. What we know for absolute sure it has done is bad enough. Iâm sure thereâs stuff we donât even know about. As long as he doesnât try to fill it up with stranger and more strict requirements for⌠everything, why should we mind? Tulsi Gabbard is still at the very least commie-adjacent, but she was victimized by the security apparatus by being put on a no fly list. Sure she might just reverse the polarity of the abuses. But she might also have seen the elephant and, in the light of the new day, seek to put the brakes on the overstepping. Itâs worth a try. Things like tariffsâŚ. well, I ainât no fan of them, but you know? The president has to at least be able to threaten them convincingly, so Iâm willing to leave his elbow free. And I donât know. I donât like tariffs, but I hate taxes, particularly since they eat months of my husbandâs time in calculating what all my strange little businesses owe. Maybe, just maybe we can swap them for tariffs, or come up with a yet more creative solution to finance the essential functions of government. Iâm open to what might come. I mean, today DOGE announced itâs hiring, but the job wonât be paid. Using American culture of voluntarism to cut the wasteful state? Itâs amazing. Itâs the most American thing ever. And think of all our retirees who just found a fun project for their golden years. (If I didnât have books to write, Iâd be volunteering myself. And if we had more money, my husband (and younger kid) would already be applying. Since theyâre math geniuses, they probably could help.) Meanwhile, yes, of course, the ravine stays. I will be watching very carefully and squawk at everything and anything that trespasses on the essential rules: The state should be small (we can start with smaller) and afraid of its people, not the people afraid of their state. And DONâT HURT PEOPLE AND DONâT TAKE THEIR STUFF. Those are ravines indeed, and weâve been driving with a wheel over that abyss for far too long. We might not know where the road is, but letâs get the heck out of the dangerous spot. The rest? The rest is wide open. Where a dark and dreary road the entire world was pushed into used to be, there is now a trackless wilderness. Into which we can cut paths, alleys, roads, delightful little gardens, and probably fly over it, or tunnel under too. What is dawning is a day of great experimentation free of the âcertaintiesâ of the 20th century which, if weâre all lucky, is now dead and will soon be buried. Letâs try to make stuff better. Some of it will even succeed. And letâs stop doing the stuff we already know doesnât work. No, it wonât be different this time. Let 100 million eggs with no omelets be waste enough. Donât add to it. Go and create and figure out ways to do things: cheaper, better, with less hurting people and taking their stuff. And take a deep breath of the crisp, cool air of the new world. What a time to be alive. https://accordingtohoyt.com/2026/10/28/uncharted-wilderness-2/ https://1.gravatar.com/avatar/7f4ac1013fde144f84c7b0052ec0dfb2b56ec4ea745949a02e64671efda78526?s=96&d=monsterid&r=PG #colorado #art #manitousprings #rss #feeds #linksharing #qwibbit
The War On Fun Recently I learned something I could have gone my whole life without knowing: the war on fun is a bipartisan affair. What do I mean by that? Oh, this week on Twitter, several Voices of the Right TM came out breathing heavy about how not just the Malfoid fan fic trend, (which honestly is THE MOST WHOLESOME trend weâve seen in fanfic ever) but in fact all of fiction, including people like Larry Correia and John Ringo are a sign that everything is corrupted, and evil, and weâre putting bad things in childrenâs heads and the left is winning. Look, guys, I got my antique partnerâs desk refinished and up in the new office. I donât want more dents on it, again. That the left are ridiculous scolds who had their sense of fun ablated at birth, we knew. As we can tell from the game, movie, book companies they control, they think everything should serve the Marxist agenda or be worthless. Which is why every game, movie, book company is in the crapper. BUT apparently the right looked at that and went âThatâs why theyâre winning!â and they want to do that too. Iâve actually come across an article complaining about the Hardy Boys. Which I grant you have gotten rewritten, but the solution is not to eliminate it, but to find the old ones used. (I never saw the attraction of that or Nancy Drew, because I preferred Enid Blyton, but I knew most American raised readers grew up on those forever.) Hereâs the thing: The left isnât winning the culture war. It looks like it, because itâs all you can find in the grocery book shelf (WHY are you buying books in the grocery store?) or even at most bookstores, but thatâs because yes, the left owns the cultural pathways, and thatâs what theyâre pushing. However, from the inside, each year the print runs are smaller and sell less. You know whatâs winning? Indie authors. Okay, most of us ainât making a ton (most tradpub authors didnât either) but in aggregate, weâre making a huge dent. And a lot of us are doing pretty well. BECAUSE WE WRITE FUN STUFF. Or at least fun for us, and apparently some people agree. This got into the whole ridiculous debate of art. âBut just because you enjoy it, itâs just cheap thrills, itâs not art.â Well, let me tell you, just because you suffer to consume it, it ainât art, either. Itâs JUST suffering. So, letâs talk about it: When I was tutoring, I got girls in who were failing at everything. Inevitably, I found their parents allowed them to read two things: The lives of saints and the Bible. Now, it is possible to write the lives of saints in a riveting manner (Because my brain is broken Iâm writing the story of the first Ellyan saint, which is mental as I haveâŚ10? books in the world to publish first.) However, most of it isnât written in a riveting manner, and also, frankly, after a while you kind of know the pattern. Do I read lives of saints? Sure, but not as my whole reading diet, because that would be boring. What I inevitably found is that if I convinced their parents to let them read other stuff, their reading AND EVERYTHING ELSE went up grade wise. Now, Iâm not a utilitarian when it comes to reading. I donât think you should be a good reader because itâs good for you. But there is no denying that being a good reader gives you a massive advantage in life, but no one â NO ONE â has ever become a great reader by reading only the required stuff for school and maybe 2 very holy books. No, not even in the middle ages. Did you know that until the eighteenth century, people moved their lips when reading? Because there wasnât enough reading material for most people to get past that point. But besides all that, and because this is not just about reading: Who died and told you that humans should never have fun? In the dystopian hellscape the left is trying to herd us toward, there is enough worry. In our economy cacked by multiple government interventions, there is enough struggle to stay afloat. And even for those of us who see opportunity everywhere? Weâre working harder than we ever did. You want us to never let up? Thatâs not how humans live. Look, I can understand disapproving of some peopleâs way of decompressing: those that are bad for themselves and others: alcohol, drugs, gambling, unbridled sex. (Yes, sex is better with bridles. Seriously? Can you be serious for ten seconds?) BUT movies, games, books? Because theyâre fiction and donât have a âdeeper messageâ (to your mind.) Thatâs crazy cakes. First, if you want to sell your message, it best be wrapped up in a sh*tload of fun. When the left was actually winning the culture war, 40 or 50 years ago they knew how to do that. People will swallow poison if itâs wrapped in fun. And now youâre saying that fun is evil. No. Fun is fun. The message you load it with might be evil, but then again it might be good, too. Removing the fun is not the way to improve things. The way to improve things is to make it GOOD. Second- BUT! FUN ISNâT ART! Well, guess what? Peanut butter isnât chocolate! Music isnât painting! Shoes arenât boats! Purple isnât yellow! And other news of the obvious. Sure, fun books/movies/games MIGHT NOT be art. And? Is only âartâ allowed? WHY? Because weâre only allowed to create and consume âworthyâ things? Worthy according to who? Exactly? Because personally I donât care. Yes, Iâve read âreal literatureâ and even enjoy some of it, mostly Shakespeare and Austen, to be fair. BUT I also read fanfic. And everything in between. I read what interests me at the time, and I donât care if it has the stamp of âartâ or not. Which brings us to âWhat is art?â And that got outright silly. I pointed out for most things the only real evaluation of âartâ is âthat which has survived the test of time.â THATâs IT. And to survive the test of time, it needs to be FUN first. So itâs loved by a lot of people. And then we got people arguing thatâs not the only test, because you can look at something and know itâs art. (People, the Elgin Marbles, before being taken to England, were being used by the locals to make lime wash for their houses. No, seriously. And yeah, to me I look at them and theyâre art. BUT obviously Greek villagers disagreed.) You can take reality apart and not find a single atom of âartâ because thatâs inside the human brain. And the âartâ proclaimed by the elites is mostly stupid message bamf. And even the âtest of timeâ thing, we wonât know until the decks are cleared, because in the age of mass media, it was easy to fake âpopularityâ and a lot of whatâs now considered 20th century âartâ your grandchildren are going to laugh themselves sick over. So, the only test is âHas it survived the test of timeâ which means, to begin with, it was fun or enjoyable enough to a large enough group of people that it SURVIVED. Oh, yeah, and letâs slap our foreheads for the people explaining to me that making a good screw is art (No, apparently phrasing is a dead art) and that making steel is an art and that⌠I had to point out thatâs the OTHER meaning of art. Not worthy object/admirable product, but âartâ as craft, as knowledge, and semantic confusing helps no one. Though I suppose that person would love to go through a museum of art, admiring screws. (Start with la maja desnuda and⌠never mind.) All of it to obfuscate that, as a wise rabbi once said âNot of bread alone lives man.â And btw, he spoke and taught in little fictional stories. Because it makes the âword of G-dâ go down easier. But fine, fine. If both sides of our utterly effed up political spectrum wants to make war on fun, let them come, they and their armies. Iâll be standing here, holding stunt middle fingers aloft. Why stunt? Because otherwise itâs pretty hard to type and produce decent fiction that some people will find fun. Probably not enough for me to ever be considered art. Which is fine. I donât care. Iâm having fun writing this stuff, and I hope my fans are having fun reading it. In the end, thatâs all that matters. https://accordingtohoyt.com/2026/10/27/the-war-on-fun/ https://2.gravatar.com/avatar/bb227ba08e92f5082a6a9044a75eb6333d01169f18d0f8cb7cff7ccb1a1c8b9f?s=96&d=monsterid&r=PG #war #fun #because #which #johnringo #larrycorreia #rss #feeds #linksharing #qwibbit
Itâs Human, But Is It Art? It is perhaps inevitable that weâre now being besieged by arguments on what art is, and what counts as art. AI has done a number on us. And before the shrieking starts, note that Iâm not one of the AI haters or even one of the AI skeptics. (Iâm a skeptic as to how wisely humans will use AI, but that actually makes me a human wisdom skeptic, and guys, what else is new?) But AI has done exactly the same number on us that cameras did once upon a time. People used to paint to be as realistic as possible, so you could look at their picture and it would be like the picture their eye saw. And thenâ Cameras. Decades of learning, people who had devoted their entire lives to pursuing this art, who were d*mn good at it, and who might be in their near-old-age and there, cameras nuked their lives. Okay, it was somewhat mitigated by the pictures being in black and white, but that wasnât forever either. And what were they supposed to do now? Well, obviously â though I donât know enough of art history to give you names â some arts laid down and died, probably portraitists most of all. But Iâll be honest with you, out there, staring at the screen, itâs not actually that difficult to make an artist lay down and die. Itâs difficult â perhaps impossible â to make them produce art, but thatâs⌠something quite different from actually standing up the great wide world and staying âYou, out there, buy my mad, beautiful thingâ (I swear, if M. C. A. Hogarth doesnât make t-shirts and stickers and bumper stickers with âDo your mad, beautiful thing anywayâ, with a drawing of the tesla, Iâm going to do it!) Because all of us have rats in our heads. To produce art you must simultaneously believe your mad, beautiful thing, is the best thing ever and also the biggest piece of crap ever produced. So, you see, putting it up to the judgement of an (at best) indifferent world is a bit difficult. (Not lying. To this day I ask my fans to read reviews before I even look at them. Yesterday it was a review for the anthology Chaos and Consequences, edited by Jason Cordova, and incidentally that story is Brund and Skip and a different perspective on the future book The Worlds of Men.) But we do know that not all artists laid down and died. A lot of them painted better, more expressive portraits than the camera back then could capture, on top of which, of course, a photograph was black and white to begin with. And by the time cameras were color, there were other ways of painting that looked utterly different from a photograph. And then this weird trick happened, and photography became art too. No, seriously, it really is. The funny thing is that I can draw (and could have been a contenda! if the fire in my belly went that way. It doesnât.) but give me a camera, or you know, a phone, and I become a monkey with ten thumbs. Cedar Sanderson has a cat that looks almost like mine (Theyâre sisters, two co litters, her Toast and my Muse) but she takes pictures of Toast and makes her look alive, and expressive, all personality coming through. Me? I take a picture of Muse and sheâs a pretty flame point. You can even sort of see that, but definitely not her feisty, commanding personality. (Sheâs Greeboâs heir and was just herding me to my desk to write, because she knows which side of her tuna is buttered.) Iâm also in awe of her i/nature pictures. I donât even try, even though I life in a woodland area, where ⌠so many interesting spiders. My younger son, when he visited, captured an image of a spider eating a colorful i, and it was like a painting. If Iâd done it it would have been âOh, itâs a spider. Ick.â So thereâs something that goes into photography that I donât have. And all the flopping around about AI âstealingâ art⌠mostly by artists who are so by virtue of being called so by elites â what I call âunremarkable image or object, but really call descriptionâ âartistsâ â is nonsense. By that reckoning âfirst learned from what came before, copying the bits that we likeâ every artist is a plagiarist, all the way back to Lascaux (And only because we donât have much from before.) But is AI art disquieting? Threatening to those of us who spent a lifetime learning the best techniques and becoming damn good at the craft part of what we do? Hell yeah. Interestingly, the artists I know who are compulsive â they HAVE to do art â and dedicated â practice, practice, practice â might be slightly discomfited and a little afraid â weâre all cracked like an unsound cup, okay? Again, it doesnât take much â but theyâre not lying down and dying. And theyâre not stomping around throwing hissy fits that âIf thatâs AI, you might as well not bother.â I donât even know how much of the anti-AI mob sentiment is real, and how much is being stoked by global enemies terrified of America plus AI. I know a lot of it is just those enemies. And I wonder if it started that way and hit the soft heads of the wanna be artists and those who consider art a sort of grift. Iâm not a visual artist â again, I think I could have been, and the last art class I took â fourth year? â the teacher agreed and tried to convince me to pursue it professionally. Dad offered to pay for a third degree in art (He did NOT pay for the first two. One was paid for by my having very good grades, and one I paid for.) Because it was his first degree, and he always dreamed of one of his descendants picking it up. (Squints at the future. The Little Pickle does these amazing little symbolic paintings. Also not her main avocation, but you know? Maybe there will be kids who have dadâs ability and fire.) I still love to do portraiture, by hand, and am currently trying to figure out if there are life drawing/painting classes nearby. My favorite is doing those in conde crayons, all earth tones. BUT itâs not my professional thing. Not even close. And yet, I dropped into AI art with both feet, because it served my actual need for my real professional artist avocation: writing. I needed covers. And before you flop again (what are you a fish?) and whine about taking money from an artistâs mouth, I WASNâT using professional artists before. The only one Iâd have considered is Cedar Sanderson, and I suspect weâd have butted horns so hard â because we have different concepts of what makes a great cover and also because I knew enough to be dangerous â that it would have forever ruined our friendship. I like her, so Iâm not going to do that. Oh, yeah, I also used Jack Wilder (See the amazing Dyce Dare covers) but guysâŚ. getting Jack to do covers when I need them (Iâm not good at planning. Itâs always an emergency) was like nailing jello to the wall. Heâs got to be one of the busiest men in sf/f. So what was I using. Oooh, boy. I have some covers to redo. I started by trying to hire an artist for my first indie novel. It⌠didnât work out, and I didnât like the product. Which is not a big deal, because well, I couldnât pay much (I still canât, because I never know how a book is going to DO) though what I lost in that was more than I could afford at the time. (Remember, I had NO indie business, yet.) So I started hunting down for stock images and altering them, and trying to make them fit. Honestly, sometimes I suspect I went beyond the license, and the covers still looked⌠well, like bad 70s covers when book publishers had first discovered cameras. (Not MOSTLY SF/F where seventies covers are sometimes great, but main stream or mystery 70s covers, at least in Europe. They were⌠odd. My favorite mystery series had silver covers with an inset of a picture of the human body. No, not A human body, which might have worked. Just a random portion of the human body, scaled up so far you couldnât tell what it was, but it looked vaguely disquieting. (Have you ever looked at your nostrils? I mean, really looked?) From that, after I spent weeks crying in front of the computer, and refusing to cook dinner because I couldnât even, my husband dropped DAZ 3-D in front of me. Oh, I continued crying and screaming for six months (Most of this is not literal) while I rendered naked people with no hair. And then something clicked. Were those covers good. Eh. Some were USABLE after extensive processing, but honestly itâs hard to get rid of a certain uncanny valley feel for those and anyway, I was still working through filters and lighting and⌠when AI hit. And the game changed. Even in its early incarnation, where I sometimes used pieces of 10 AI paintings for a cover, it blew DAZ 3-D out of the water (Though Iâve found I can get Daz 3-D to do the base picture, then take it to AI and alter it, on rare circumstances when Iâm asking for something AI simply doesnât do well or at all. Would you believe classic pulp robots is one of those? Sure. I knew you would.) So I jumped in, both feet, because mama has books and needs covers. And redid them when AI got better, and I have probably 10 covers crying out to be redone now, when I have (AH!) time. Which brings us to⌠I know the artists who use AI for covers. I use AI myself. The amazing thing is how different our covers are, and how you CAN too tell style. Maybe it is our favorite AIs. Maybe itâs the fact that weâve TRAINED them. At one time, before we were even doing covers, our friend group all put the same prompt in, and even then, at the dawn of AI, what we got was completely different, because even then weâd trained AI to our vision. So, is it art. I donât know because I donât know what art is â which is what is emerging from the big argument on X. That there are as many opinions as there are people. And weâll go into that tomorrow under âthe war on fun.â â and no one seems to know, though each person has mad-serious opinions. BUT I know that even with AI use, the product is highly individual and tracks to the human doing it. More, honestly, than to the AI used (I have friends whoâve changed AI engine, for price or ease of use.) Ah, but AI art lacks the divine spark. Maybe it does. AI writing tends to lack bodies. (Iâve spent a lot of time reading AI novels, in Jane Austen Fanfic, and it only hit me why theyâre so tiresome after about 100 of them. There is no stage business. No one fiddles with their bracelets, or adjusts her shoe, or even plays with a stray lock of hair. Or sips too-hot tea. Only bits of stage business are in STRICT service of the narration. âShe looked at him when he spoke.â Not âWhile he spoke, she played with her embroidery thread.â) Now, once you figure that out â and btw, most writers also forget bodies. At least at first. And in my case when Iâm exhausted. Which is why I have that â itâs probably easy to incorporate that into your prompts. And Iâm sure that a lot of AI art lacks something, even if itâs gotten better at hands. BUT obviously not all, since I can tell whose AI art Iâm looking at, and when a house changes cover artists even though both use AI. There is definitely a spark between artist and art. Which will probably get better now that weâre past the phase of screaming at the AI âI said a woman in a dress and a bird. Not a feathered woman and a bird in a dress.â (Donât ask. Trust me. Once seen it canât be unseen.) I think yes, itâs uncomfortable and itâs going to demand that we change, and itâs sparked a scream and shout on X. Which is why weâre going to cover that tomorrow. Yes, I know thereâs a war on people having fun. BUT must it be bipartisan? But is it any more of a disruptive technology for artists than the camera? Iâm not convinced. I think itâs exactly the same. And artists who are compelled, are going to learn to use AI and to make their art better. And others wonât use AI but will learn to make their stuff so distinctive and amazing that AI canât take their mojo. And yes, in this case âartistsâ include writers, who are going a little crazier than even visual artists, partly because this technology has come for us too. (Note we had a minor disruption for wordprocessing and for dictation, but not as hard and fast as the camera for visual artists.) I canât tell you what other writers are doing. I can tell you what Iâm doing: NOT laying down and dying. My stuff tends to be weird enough itâs hard to imitate, anyway. (Except to younger son, who can do a dead-imitation, the little SOB.) And other writers are using AI agents for publicity, to remind themselves of various tasks (I need to figure out my substack. No really.) To convert books to epub format. Etc. etc. etc. Things that cut down on the other tasks and allow them to write more. Me? I found itâs dangerous to talk about my universe to an AI, because Iâm tired and slightly depressed. Because it gives me IDEAS. But then again, everything gives me ideas. I do have an idea for a youtube feature, though. Will I ever do it? I donât know. But Iâm holding onto the idea until I am done unpacking. Probably new years. If this works it might sell me a lot of books. Even more than the music did. (And I need to resume that with other series.) Now this type of brainstorming used to work great when Dan and I were both young and childless and used to drive nowhere in particular at night. Same effect. (Of course, mathematicians and AIsâŚ. what am I saying?) BUT then the kids came and we got very busy, so I hadnât had a rubber ducky with no time limits and very busy for a long time. Which, Iâll be honest, was kind of nice. So, AI art is still human. But is it art? I donât know. The divine spark or lack thereof is literally above my pay grade. BUT Iâm an artist, or at least a sad compulsive who expresses herself in stories. In my (itâs getting to be longish, no?) life, Iâve tended to grind everything in my writing mill and use every technology, every even, every friendship (people, weâre despicable, we writers!) as fodder to the thing I couldnât stop doing. AI is just more grist to the mill. It will get used in the service of creation. And what come out the other side will stand or fall on how well itâs used. https://accordingtohoyt.com/2026/10/26/its-human-but-is-it-art/ https://2.gravatar.com/avatar/bb227ba08e92f5082a6a9044a75eb6333d01169f18d0f8cb7cff7ccb1a1c8b9f?s=96&d=monsterid&r=PG #art #human #cameras #rss #feeds #linksharing #qwibbit
Book Promo And Vignettes By Luke, Mary Catelli and âNother Mike Book Promo If you wish to send us books for next weekâs promo, please email to bookpimping at outlook dot com. If you feel a need to re-promo the same book do so no more than once every six months (unless youâre me or my relative. Deal.) One book per author per week. Amazon links only. Oh, yeah, as an Amazon Associate, I earn from qualifying purchases. By clicking through and buying (anything book-related, actually) through one of the links below, you will at no cost to you be giving a portion of your purchase to support ATH through our associates number. A COMMISSION IS EARNED FROM EACH PURCHASE.*Note that I havenât read most of these books (my reading is eclectic and âcraving ledâ,) and apply the usual cautions to buying. I reserve the right not to run any submission, if cover, blurb or anything else made me decide not to, at my sole discretion. Remember though all of these submissions are from people willing to be associated with this blog. So if youâre trying to buy from people who donât hate you, this is a good place to start.â SAH FROM CHRISTOPHER DIGRAZIA: Ten Thousand Midnights: A Theda Bara Mystery Hollywood, 1922. Paramount Pictures director William Desmond Taylor lies dead in his apartment, a bullet in his back. Baffled by multiple suspects and blind alleys, the LAPD turn to silent star Theda Bara for help. With her loyal friend, makeup artist Toby Swanson, she delves into the dark corners of Tinseltown to uncover Taylorâs killer. Fellow stars Mabel Normand and Roscoe âFattyâ Arbuckle hold pieces of the puzzle, but Paramount chief Adolph Zukor is determined to hide the secret of Taylorâs murder at any cost. . .even if it means silencing Bara forever. From the author of The Directorâs Cut and The Stuff Dreams Are Made Of comes the third entry in the mystery series that Emmy-Award winning screenwriter Robert J. Avrech praised as making Theda Bara âa living, breathing woman.â FROM ETHAN MOORE: Scorched Earth Volume I In 2024, civilization was consumed in the Rebirthing fires. Ninety years later, Gerti Alvarez just wanted to survive the impossible task she had been assigned. Instead, she finds a scarred girl, a repair team trying to hold their town together, and a mayor hiding more than political ambition. Scorched Earth: Volume 1 is a gripping apocalyptic adventure about loyalty, survival, and the cost of doing whatâs right FROM HYEOK LIM: The Posterity War At 8:09 a.m., every serving politician dies. Governments survive, but the people authorized to act are goneâand Social Security actuary Claire Harlan discovers the catastrophe came from the future. Claire falsified a federal model recertification to preserve her fatherâs secret treatment priority. After the attack, withdrawing that lie could stop the presentâs retaliationâbut it would expose what she did and freeze the funding keeping his private advantage alive. Her renewed concealment keeps the counterstrike review alive while a future coalition invokes 486,107,392 affected peopleâneither combatants nor a single constituencyâas its warrant for war. With fifty days before the temporal channel closes, Claire, acting president Jonah Ward, and future commander Iris Kade must create a peace neither era can counterfeit: a constitutional settlement, a chain of evidence no one controls alone, and physical disarmament on both sides. Confession will not be enough. Neither will victory. The Posterity War is a standalone near-future political science-fiction thriller about power, custody, and what each generation owes the next. FROM DALE COZORT: Devouring Wind (Exchange Book 2) âTheyâre coming for us, from the sky and emptiness.â Ten months ago, technology guru Sharon Mack and her autistic and strangely prescient daughter Bethany were trapped in the wild alternate version of Earth called Bear Country. They took refuge at Fort Eegan, an outpost built by a peculiar cult with mysterious ties to the US government. Now a new Exchange brings terrifying new consequences. The new Exchange blocks Fort Eeganâs water supply, threatening deprivation now and catastrophic floods in the future. It also pits Fort Eegan against beings with superior technology, inhuman ruthlessness and a weapon capable of devouring everything in its path, including Fort Eegan. In spite of the danger from the new Exchange, the humans of Bear Country are nearing a war with one another. Ruthless escaped convicts hold hundreds of women hostage. With supplies dwindling, they eye Fort Eeganâs already limited resources. Inside and outside the fort, conflicts fester among the isolated humans, including a deadly love triangle. Fort Eeganâs only hope is to unite before it is blown away by the devouring winds. FROM ALMA T. C. BOYKIN: The Bardâs Kings: The Bardâs Song Book Two (Bardâs Song 2) What price honor? Tuathal mab Bria map Aiden gave much to break the curse he brought to the land. Echos of that curse send him across the sea, to the Western Isle from which came his fatherâs people, the Dunalaid. Only the High King can settle a question of inheritance, one that has already seen blood shed. Half of that conflict, Fyon the Black, demands land and lordship, blood price for his son, and perhaps even Tuathalâs life. Tuathal travels as law seeker and speaker for his half-brother, Low King Fiachta. He seeks nothing but a decision in his kingâs favor. Trouble lurks, what sort he does not know, but the sense he knows too well. The same darkness that led to the curse, and his naming as âTwice Givenâ waits inside the High Kingâs court at Tara. A third king also has a claim to Tuathal, a shadowy majesty of the mounds and hollow hills. Only a master bard and law speaker, an allav, Tuathal struggles to do his duty. When duty brings danger and the High Kingâs life hangs by a thread of song, what can a bard do, even a bard of three kings? More than Tuathal believes possible. FROM ANNA FERREIRA: The Root of All Evil When murder comes to Stockton, it brings long-buried secrets in its wake⌠Kate Bereton leads a busy but unexciting life as the clergymanâs only daughter in a small Dorsetshire village. Sheâs grateful for the break in routine heralded by the arrival of her stepmotherâs latest guests, but when Kate discovers a dead body in the parsonage one morning, she finds herself in much more danger than she could have ever anticipated. Terrified and desperate, she turns to the local magistrate for help. Mr. Reddington is eager to aid his dear friend Miss Bereton, but can they discover the murderer before itâs too late, and the secrets of the past are forgotten forever? With a dash of romance and a generous helping of mystery, The Root of All Evil is a charming whodunit that will delight fans of Jane Austen and Agatha Christie alike. FROM PATRICK MCHARGUE: Starlight Revelation: Expansion, Book 1 What would you risk to publish a finding that no one wants to believe? Jack Merrill is doing exactly what heâs supposed to â running sanctioned pipelines, processing telescope data, keeping his head down â when a side project neural net heâs been quietly testing flags something in the noise. Four faint smears of ancient light, carrying anomalous signatures that should not exist. He wasnât looking for a paradigm shift. He found one anyway. Starlight Revelation asks what the search for truth actually costs â not in the abstract, but in jobs, safety, relationships, and the slow pressure of institutions that benefit from comfortable certainties. Set in a near-future space observatory processing center thick with rivalries and beliefs, the novel follows a chain of people who refuse to let a finding die just because itâs inconvenient: a stubborn analyst, a fierce colleague, a principled administrator, and an outcast physicist who has been right about the wrong things for decades. The universe holds its oldest secrets in the faintest light. Jack Merrill just found one. FROM JOHN BAILEY: The Xochicuzmal Enigma: Book One of The Plata Worlds When a mysterious spacecraft crashes far from the settled regions of the Plata Worlds, Captain Mateo ValdĂŠs expects to find an accident. Instead, he finds a survivor wearing an unfamiliar golden protective suit, speaking an archaic form of a Plata language, and carrying technology centuries beyond anything known in the region. Before he loses consciousness, the stranger says only one word: Xochicuzmal. An eccentric historian recognizes the nameâand immediately becomes frightened. What begins as an investigation into a mysterious visitor soon leads Mateo, the historian Dr. TomĂĄs Arriaga, and their companions across ancient ruins, forgotten archives, and a buried structure that predates Plata civilization by thousands of years. The old legends speak of a lost city called Xochicuzmal. But there is no city where the ancient maps say it should be. There is something else. A door. And behind it lies a technology capable of connecting distant human worlds. As Colonel Rafael Borda and his forces close in, Mateo discovers that the legendary Long Firesâthe disasters that isolated the Plata Worlds generations agoâmay not have been natural catastrophes at all. They may have been the consequences of an ancient transportation network gone catastrophically wrong. Now the network is waking up. And someone, somewhere beyond the Plata Worlds, already knows it exists. The Xochicuzmal Enigma is a classic science-fiction mystery of forgotten civilizations, ancient technology, political intrigue, and exploration, and the first novel in The Plata Worlds series. FROM KAREN MYERS: Monsters, And More: A Science Fiction Short Story Bundle from Thereâs a Sword for That A Science Fiction Story Bundle from the collection Thereâs a Sword for That MONSTERS â Xenoarchaeologist Vartan has promised his young daughter Liza one of the many enigmatic lamedh objects that litter the site of a vanished alien civilization. No one can figure out what theyâre good for, but Liza finds a use for one. ADAPTABILITY â The Webster Marble Deluxe Woodsman, Model 820-E, has been offline for quite some time. Quite some time indeed. Good thing Webster has a manual to consult, and a great many special functions. FROM LEIGH KIMMEL: The Day the War Struck Home Astronaut Peter Caudell comes home to find his daughter struggling with a school assignment. Sheâs to write an essay for Memorial Day, and her teacher suggested astronauts â but she wants to write about combat heroes, not REMFâs. So Peter suggests the NASA Massacre and relates his own part in those events. Itâs the summer of 1994, and the Energy Wars are raging in the Middle East. On the home front itâs the Summer of Fear, a season of continual terrorist attacks. All eyes are upon Kennedy Space Center, where a Space Shuttle is launching for a critical on-orbit repair of a spy satellite. When it goes up without a hitch, everyone breathes a sigh of relief. However, the intelligence proves incomplete â the actual target is Johnson Space Center. Suddenly Peter is in the fight of his life, as the presence of multiple police agencies further complicates the fight to stop the terrorists from slaughtering the astronaut corps. Itâs a story of courage, patriotism and self-sacrifice that proves a much greater lesson than the teacher imagined. A short story of the Grissom timeline. Originally published in Liberty Island Magazine as an Honorable Mention for the Memorial Day contest. This version includes a bonus essay on the genesis of the Energy Wars. FROM NATHAN C. BRINDLE: All Precious Stones and Peoples (Timelines Universe Book 11) Once, a million years ago, a water world populated with dolphin-like beings, the product of gene-alteration by their Progenitors on the Earth-like world one orbit closer to the sun, was flung into the cold and dark of interstellar space by the passage of a rogue star. And four thousand years ago, its engineers were awakened from suspended animation to bring the world into a new orbit around a giant, blue-white star, where the waters of the World Ocean could thaw and life could continue to flourish. This is the story of the Aâkaâpaâiâkaâti, and their Foretold Saintess, Speaker to the Dry Ones, born to communicate with the Progenitors when they finally arrived to reclaim the lost . . . FROM SARAH A. HOYT: Other Rhodes (Rhodes Mysteries Book 1) When Lilly Gilden discovers a cyborg in her airlock, she should turn him in for immediate destructionâharboring any cyborg means death, no exceptions. These abominations are born from violent, illegal brain extraction, forbidden across all human colonies. But this tortured soul believes heâs Nick Rhodes, a legendary detective from the 20th century, and his fractured mind may hold the key to finding her missing husband. The penalty for harboring him is execution, but Lilly is desperate. Her husband vanished while investigating a case that leads straight into the galaxyâs most dangerous criminal networks. With time running out and nowhere else to turn, she makes a fateful choice: trust the half-mad detective trapped in synthetic flesh. Joined by a mysterious journalist with secrets of his own, Lilly plunges into the shadow world of interstellar crime syndicates, corrupt officials, and deadly conspiracies. As the cyborgâs detective instincts clash with his deteriorating programming, Lilly must navigate a web of lies and violence where one wrong move could cost her everything. In a universe where love is the ultimate liability, how far will she go to bring him home? A pulse-pounding sci-fi thriller that blends classic detective with high-stakes space adventureâperfect for fans of cyberpunk mysteries, noir whodunits and interstellar romance. Vignettes by Luke, Mary Catelli and âNother Mike. So whatâs a vignette? You might know them as flash fiction, or even just sketches. We will provide a prompt each Sunday that you can use directly (including it in your work) or just as an inspiration. You, in turn, will write about 50 words (yes, we are going for short shorts! Not even a Drabble 100 words, just half that!). Then post it! For an additional challenge, you can aim to make it exactly 50 words, if you like. We recommend that if you have an original vignette, you post that as a new reply. If you are commenting on someoneâs vignette, then post that as a reply to the vignette. Comments â this is writing practice, so comments should be aimed at helping someone be a better writer, not at crushing them. And since these are likely to be drafts, donât jump up and down too hard on typos and grammar. If you have questions, feel free to to ask. Your writing prompt this week is: STRAIGHT. https://accordingtohoyt.com/2026/10/25/book-promo-and-vignettes-by-luke-mary-catelli-and-nother-mike-245/ #bookpromo #thedabara #taylor #scorchedearth #desmondtaylor #baramystery #amazon #volume #amazonassociate #rss #feeds #linksharing #qwibbit
More on Communication, Or No One Knows What They Donât Know By Holly the Assistant By dint of a rather unusual past for my time and place, I am perhaps a bit of an expert on the lack of comprehension between the sexes. I am the only child of an only child. My father was a Silent, as is my mother, and I am a fairly late in life child. As a child, I knew exactly one other almost-only child: she had had an older brother, who perished in a plane crash. My mother had three siblings and numerous cousins. My father had a couple cousins he knew as a child, given family propensity to alcoholism and poor choices. One of those lived long enough and sane enough for me to meet. My father was an introvertâs introvert: other than professional colleagues and family he had no social group. None. Not one person. No clubs, no church, nothing. And then I was home schooled. Then I went away to college-my parents were both professors and there was no way I was staying home and going to their college-and met an international student, married him, and we had a normal size family of six, and I got to figure out how guys communicate, quite a lot from bringing up boys who had friends who were boys. I had a pretty good start on how girls communicate, being one, being in girlsâ clubs, having a mother who is an extrovert. And my husband is also an extrovert, so marriage brought an instant social group of fifty-odd, prone to dropping in randomly. Back then, there were some rules, still. Boys were weird in the first place, but they knew they had to actually ask girls out and girls could say no or yes. But there were also those who opened with sexual harassment and were shocked that didnât work. The jerks you shall always have with you, I suppose. My general rule was to go out with a guy who asked nicely once. To a public event, taking ourselves separately. No alcohol, ever, on dates, but then I met the man I married just before I turned twenty-one and married him not long after, so that wasnât an issue. Not because I was irredeemably law abiding, but because I wasnât stupid and had plans that involved keeping my security clearance. Turns out that pays off in personal safety. I did some dumb things that could have ended very badly, but for the most part, most guys are just fine, and I was fine. (One boyfriend had a plane! He let me fly it!) But I also grew up and live in possibly the highest per capita concealed and open carry state: the estimate before Constitutional Carry came into place was 10%. No one actually knows now. It is guaranteed that someone in any group of people is armed. That makes it a lot safer to make most dumb choices. (Maaaybe not flying the plane, though.) Back to communication. Boys are weird. They donât get hints well. âWow, the trash is really fullâ gets a âYep, sure isâ instead of taking it out. They donât like it when girls cry and want to fix it. I trained the girls early on that if they just wanted to have a good cry they should retreat to their room because the boys want to fix it, and if it doesnât need fixing donât upset the boys. Told the boys the girls have a right to cry when they want to and they canât go in their room to find out why theyâre crying. Worked out pretty well when they hit teens. If someone does the girls wrong, they have their own brute squad. Conversely, the girls protect their brothers: No, that girl wants to get with you. Stop helping her if you donât want to get dragged into her shit. Sheâs creating problems with other guys to get you. This is apparently fairly incomprehensible to the male mind. But itâs a female tactic. (Not all women, not all men. But quite enough of them.) Men prefer direct. Women tend towards being subtle. Plausible deniability, yes, but also . . . when you look at a group of men you can tell who is in charge at a glance. Heâs giving directions to accomplish the task. Women, itâs often more egalitarian looking on the surface, with the bossâ buddies passing on instructions. (Like Sarah, I tend towards male style interaction more than female, but Iâm better at female than she isâI also didnât switch cultures as an adult, so I have an advantage there.) You have to discover who is in charge, in a new group of women, because sheâs not setting up for a direct challenge, so sheâs not obvious. In many cultures itâs obvious: itâs the senior family female, but in ours it isnât. Donât challenge the boss if you donât mean to, which means figuring out the pecking order, and whoâs actually in charge. We used to have a taboo on talking to men about womenâs stuff. You didnât admit you had a period, let alone cramps, in front of men. Remember that? That went away at some point, probably before I was born. Women wouldnâtâve had to reject drugs of unknown provenance because they never would have expressed a problem to men. In a lot of ways itâs a good thing that itâs not shameful to bring up a problem, but . . . we donât have a structure set up around it. The old structure worked. Ideally, a woman could say âNo, thanks,â and not have to worry about the man getting upset. Or the woman. But thatâs not the world weâre in. Because, did you know, women also get upset about the rejection? Because it says âI donât trust you,â straight out, and we arenât supposed to say that. So the deflection response, that says âI donât trust youâ in a plausibly deniable form, so that the response isnât anger. So I suspect the needed adjustment for women is going to be going back to do not talk about intimate matters, such as cramps, around people you will not accept drugs from. Thereâs a downside, of course, in that men will be trying to figure out why women arenât pulling their weight today. Weâre stuck in a species with sexual dimorphism. Gentlemen and ladies, donât take a deflection response as something to argue with. Because also, it could be a really annoying allergyânot even TO the medicine itself, but to the coating, that one doesnât want to riskâand every single person with an allergy or with a child with an allergy has had to deal with the âOh, thatâs not realâ response, a lot of us from medical doctors. Take âOh, that wonât work,â as being a rejection, a polite rejection, and carry on as you would have if you didnât have the medicine to offer. And know that if one accepts food, drink, medicines, from you, that you are in the high trust zone. Not the date zone, the high trust zone. These are two very different things. And maybe now it makes sense why the coffee shop is a safer first date offer? Furthermore, itâs not a cultural unity. Itâs a lot safer to not deflect in the rural west, as far as I can tell, than anywhere else on the planet. That might be because heavily armed. Might be because no one stands close to anyone else anyway. Maybe you donât have to reduce friction in social interactions in areas where there are few social interactions. Assuming good intentions will get you quite far. Thereâs a line from the DeMolay organization my boys all participated in that goes something like âWhen a Brother has acted foolishly, I must assume he was motivated by good intentions which I know not, and had I his motivations, I might have acted more foolishly than I judge him to have.â Itâs pretty good advice, really, in dealing with honest folk, and I hope you are all trying to avoid dealing with dishonest folk. https://accordingtohoyt.com/2026/10/23/more-on-communication-or-no-one-knows-what-they-dont-know/ https://1.gravatar.com/avatar/7f4ac1013fde144f84c7b0052ec0dfb2b56ec4ea745949a02e64671efda78526?s=96&d=monsterid&r=PG #communication #boys #carry #silent #rss #feeds #linksharing #qwibbit
What We Have Here Before I start this post, let me say that Iâm not proposing we use genetic engineering to make men and women the same. As should be obvious from No Manâs Land, I donât think that would solve anyoneâs problem. It might make communication more easy in one front, but it will not fix anything as a species. However, over the last few days Iâve become convinced that at least half of the âwar between men and womenâ is a failure to communicate. Also a failure of the imagination, in that men canât imagine being a woman. TBF women also canât imagine being a man. The longer I live the more I think that Robert A. Heinlein was absolutely right and not kidding at all when he suggested weâre not two halves of the same species, but two symbiote species. Please keep in mind this comes from a woman who has always had more male than female friends, and who does grok men more than women most of the time, partly because I grew up with my brother and his friends as primary influences, partly because of my interests, which run to politics, finance and action books. (And movies.) So imagine my surprise when a meme was posted in my close-in fan groups, argument broke out and I was SOLIDLY on the female side. Itâs a communication issue. And the communication issue hinges on things men canât conceptualize. Letâs say growing up male is different from growing up female in a way thatâs very hard to understand, particularly since our culture, right now, is hell bent on telling us there is absolutely no difference (beyond the way you pee) between males and females. The truth is that weâre different while still in utero, due to different hormone baths. And the brain structure of males and females are different. From a story perspective, btw, this was glaringly obvious when I advised my middle-school sonâs writing club. All the girls, from the rough and tumble soccer players to the girly girls were writing deeply introspective âHow I talked to my dead ancestress and found myself.â And every boy was writing âHow I stopped the bank robbers, killed all the bad guys and got a medal.â (Of course by that metric, at 12, I WAS a boy, so this is not universal.) But those are relatively minor â note I said relatively â and if people are intelligent and willing to cross the divide. And some deep weirdos might have read enough action to present as boys. Ahem. Not that I own any mirrors. However thereâs a deeper divide we canât bridge, and thatâs: Females are smaller and weaker than men. Yes, even in shape, relatively buff females have no chance against âninety pound weaklingâ males. Testosterone is a hell of a force multiplier, okay? Yes, I won some fights against males early on in life, but that was because I grew faster, and I had no actual brakes. When I fought, I fought for maximum damage. And fair wasnât even in the world as my plans. (Which btw is typical female.) But also, in almost every case, I got LUCKY. If a man is determined to hurt a woman, really determined, heâs going to hurt her. Badly. While a woman determined to hurt a man might hurt him. Maybe. If heâs careless and hindered by chivalry. Note I mean PHYSICAL injury. Not emotional. Not mental. Physical. With that in mind, this is the meme that caused the arguments: Sigh. I get the woman completely. Look, Iâm sixty three (I JUST CHECKED, okay?) and I would not have accepted a tablet from a male friend when I was young. Unless he was one of the friends in my brotherâs group who REALLY were all my ersatz brothers (and half of whom were medical students, which at the time meant practically jingled with free medicine bottles from medicine reps.) Even more shocking, I wouldnât accept a tablet from a male (or female) friend now, except for a handful of you who are as paranoid as I am. Right now, the main reason I wouldnât accept a tablet, unless individually wrapped, still sealed (and even then!) is because fentanyl is known to be produced to mimic over the counter medicines, and while Iâm not sleeping and kind of depressed, Iâm not suicidal. The reason I wouldnât have accepted it then⌠Well, for one, because you never take medicines, food or drinks from a male. Period. Unless heâs family and absolutely above suspicion, which the interaction above doesnât read as. It reads as casual or âschoolâ friend. I mean, if theyâd known each other from childhood, or were relatives, heâd have said, right? Even back in my day â GUYS EVEN BACK IN MY GRANDMOTHERâS DAY â blithely taking a substance handed to you by someone-not-a-doctor featured in what would now be creepy pasta stories. âAnd then I woke up, and all my clothes were off.â Or less dramatically âAnd then I woke up, and my wallet and money and my bus pass were gone.â Seriously. Weaker people are very aware it wonât take much to overpower them. You just need to make them slightly tipsy or interfere with their judgement, and thereâs tons of things that do that. And if the men are now shouting âMOST MEN WOULD NEVER.â Thank you. Weâre very aware of that. Look, weâve got fathers, husbands, children. And we love your big shambling, grunting, hairy selves. At least those of us who are hetero and more or less sane do. The problem is that we canât be sure. Right, so Iâve been doing a deep dive into true crime (I said I was depressed.) and one of the books I read was Anne Ruleâs on Ted Bundy. I knew Anne Rule from having stumbled on her books before. I didnât realize sheâd known the ur-sex-killer of popular imagination, much less that she was friends with him. Her after-the book afterwords for republication are decisive about his being a monster etc. BUT if you read the book in sequence⌠well. She had NO idea. And in fact, while reading the book, I kept thinking âWait, youâre still sending him money and worrying about him in prison? Whatâs wrong with you?â What was wrong with her is that she wasnât reading this in hindsight, where DNA has proved beyond doubt that yes, he did this stuff, and where I knew before I started reading what he was accused of. She didnât. And even in the afterword she tries to reconcile the two images of him and canât. Because the guy she knew, her CLOSE FRIEND shouldnât be able to commit those horrific crimes against women and female children. And yet he did. âOh, come on, Sarah, a mass killer is a purely American phenomenon, and anyway psychopaths who are actual killers are very rare. How can youâ.â Very easily. Acktchually we donât know how many KILLING psychopaths there are. I read this absolutely chilling off the cuff remark by a pathologist from Colorado who searches the mountains on the weekend for human remains. No, seriously. Thereâs a group of them, and itâs like a hobby. How many do they find? Uh⌠I think they estimated (and I might be underreporting) that for every ten miles of forested area in a highway there will be an undiscovered corpse. Wouldnât everyone know if that many people were missing? Oh, dear. Look, weâre a highly mobile, relatively disconnected society. And our police departments build in âevery teen is a potential runaway. Every wife is a potential deserter of familyâ (Every husband too.) People CAN and do disappear and never be noticed not to be there. And thatâs without considering transients, recent immigrants, semi-nomadic professionals and oh, yeah, the massive group let in by the autopen. I suspect the number of people who could disappear and never be heard of has gone higher too. More single people. More friendless people. More people working from home. More people without kids. Look, I have kids, and if I cut communication, one would drive over right away, the other next weekend. Because Iâm their mother, and my stopping answering would be profoundly weird. However, if I didnât, if it were just Dan and I, we could die, and our friends MIGHT notice. I mean, the one who has the keys to the house would eventually get worried if I stopped answering and come over, but since we exchange messages maybe every couple of weeks or so, and texts arrive at odd times and such, probably not for a couple of months. Now, my case is a little different, because the close-in Discord group, the blog readers, the people at Instapundit would probably send someone over within a week. Still, thatâs a week. However, if I werenât living my life in publicâŚ. and most people arenât⌠How long do you think it would take? As for Mass Murderers being American⌠They are only âA purely American phenomenonâ because no one else labels them that way or make an industry of talking about them, except maybe the British. (And Portugal hides them if they can. I mean, they arrest the perp â maybe, last I heard their penal system⌠never mind â but they donât talk about this much. Itâs a cultural thing.) Now that Iâve horrified you, the problem is that we donât know who a mass murderer might be. Or just a plain bad dude. People can dissemble. Sometimes for YEARS. Psychopathy is much more common than it seems. So just because you know someone and see no reason for the substance they gave you to be poisoned/adulterated⌠well, it doesnât mean it isnât. And if youâre saying âBut poison is a womanâs weapon!â Well, yes. Which means you big burly creatures also should be careful. Itâs just a lot of you wonât. Because at the back of the brain, from childhood training, from a hundred playground scuffles you have âI can take care of myselfâ imprinted at brain-deep. Women donât. From youngest age, we learn weâre vulnerable. Even without the demonization of men, even believing most men are DECENT, we watch ourselves all the time. At least the ones of us who survive to be â checks again â sixty three (almost a Beatles song!) This creates other adaptations: the men asked if that was the case, why give an excuse, why not just say âno.â Because most women donât. Look, if theyâre friends, even casual friends, but particularly if she does consider him a romantic prospect, she wonât want to say a flat âNo.â Why not? Well, precisely. Because then heâll ask âWhy not?â and if she evades that without giving a reason, heâll say âYouâre afraid Iâll drug you!â and storm out in a fit. And if she keeps saying âBecause no.â Heâll think she hates him, go home, think about it, realize sheâs afraid, and then have a fit all over the webs. There is no way to win this. NONE. So we give excuses. âOh, itâs not the right medicine.â âNot tonight, Iâm washing my hair.â (Not, I really donât want to go to isolated spot first thing out.) or whatever. We deflect. Try not to cause offense. Because weâre trying to protect ourselves, and we REALLY donât think youâre a bad guy (or weâd have cut you off) but thereâs just enough doubt that we have to protect ourselves. Because if we get in a situation where we canât defend ourselves, weâre dead. Youâre bigger, youâre stronger, youâre faster. Not just a little bit. A LOT. Again, the champion female soccer team can get beaten by an average MIDDLE SCHOOL BOYS SOCCER TEAM. Frankly, in a fight we donât have a chance. So, no, weâre not going to take a tablet from you (guys shouldnât either. Mr. Chemistry doesnât care if you pee standing up.) Weâre also not going for a walk in that deserted park. Weâre not going to close the door when weâre alone with you in a room. And in general, until and unless itâs absolutely required and weâre fairly sure youâd never hurt us (Or no one would ever get married) weâre not going to expose ourselves to danger. (BTW this is why I donât care if youâre trans and identify as female. You still have male strength by and large. Donât crowd us. And donât try to get into a womanâs shelter.) Now, in all fairness, the exchange above sounds to me like the guy is strong in the tisms, particularly his continued insistence and research to prove it would help her. And heâs probably innocuous. But I still see the girl as doing whatâs only logical. And I WOULD DO THE SAME. I just want to make clear why this is. Weâre weaker. Physically you guys have the advantage. Which, curiously, is why women should be taught to be gentlemen in business if they want to have a profession. Wut? Sarah, you shifted gears so fast I heard the grinding. Oh, shut up. Look, I said above, women will delay fighting or fight by other means. Because we know once we have to fight weâll likely lose. The problem is that when we fight, we donât fight to win. WE FIGHT TO KILL. This is set at the back of the brain. If this is a threat, you have to kill it, or it will come back and kill you. So for a woman there is no âDefeat, then friendship.â There is only âkill the threat. Eradicate it. Destroy it.â The problem is instinct is a funny thing. This ports over to⌠business rivalry. Women in the C suite will absolutely over react and try to destroy competition. Which tends to destroy the business, or whatever theyâre involved in, as well as a vast swath of men who are left wondering what they did to deserve this. (And some women. I am a bit dense on this, since I WAS raised to be a gentleman, and believe in defeat, then friendship.) So, what we have here is not a war of the sexes, what we have here is a failure to communicate. The guys, bigger, stronger, need to understand that we are smaller, weaker, and therefore have to be cautious beyond reasonable limits. Because a mistake can be fatal. And women need to understand: not every charming men, not even a sizeable minority of them, are Ted Bundy. (Though serial killers can get hundreds of kills, so still be careful.) And just because you feel threatened, it doesnât mean itâs a threat. That thing you keep jumping on isnât a spider, itâs your earbuds! Or if you prefer: stop treating competition as a lethal, to the death confrontation. Itâs not. If you want to play in male fields? learn to be a gentleman. The politics of personal destruction are awful in politics. Theyâre even more painfully awful in business. (Oh, and your political beliefs are not your children. They donât need you to kill to protect them. And they should be subjected to rational discussion, even if it hurts them. Kipling was right. Stop being an idiot.) BUT above all, remember we are different, whatever the âprogressivesâ (into the 1930s) say. We are very different. And this colors even seemingly innocuous interactions. If an interaction with a woman puzzles you? Ask your female friends. They just might think the answer is obvious. (Or not. Female psychopaths exist.) For the sake of continued humanity, stop assuming an entire sex is stupid or irrational. Theyâre just responding to different physical realities. https://accordingtohoyt.com/2026/10/22/what-we-have-here/ https://2.gravatar.com/avatar/bb227ba08e92f5082a6a9044a75eb6333d01169f18d0f8cb7cff7ccb1a1c8b9f?s=96&d=monsterid&r=PG #man #which #rss #feeds #linksharing #qwibbit
Welcome to Sarah A. Hoyt (Unofficial) spacestr profile!
About Me
Unofficial automated RSS/Atom links to Sarah A. Hoyt's work on Named novelist/blogger publishes independent political and cultural commentary. Original work is credited at the source; follow the source links. Zaps support the independent feed operator, not the author.
Interests
- No interests listed.